
OK, so I have to say that seeing Om Shanti Om (or OSO as it is often referred) has really made me think.
First off, the biggest upset to me is that the director, writer, and choreographer is a woman. How is it that India, a country known for its male-dominated society, can still have a woman’s film be the year’s biggest hit and the US can’t? Now don’t get me wrong, I realize Bollywood isn’t all flush with women directors or the US doesn’t have quality ones…but I guess what puzzles me most isn’t the quality at all. It’s the money. Indians are shelling out millions of rupees to see something that is nearly all a woman’s point of view…when has that happened in America? I mean, not even our dear-to-our-hearts Sex and the City is a full woman-run show/movie.
Secondly, I have to say that the movie’s gratuitious beefcake scenes are a bit bothersome to me. Sex scenes don’t bother me. Nor does nudity. But putting LOOOOONG scenes into a movie that do absolutely nothing to move the plot along but are only there for viewers to ogle the actor/actress, just aren’t comforting to watch. And when PDA (public displays of affection) are a huge no-no on the streets or in the movies because of the sexual implications, how can you tell me that the extended scenes of a shirtless, muscle-y guy, throwing water over himself aren’t sexual? Really now.
Finally, I’m a bit confused by the Bollywood movies’ portrayal of love and passion. Every movie has a love story. But I can’t figure out why. Not to be cynical or stereotypical, but I have never heard an Indian (here or of my Indian-American friends) speak about love in any manner near the same way the movies portray. Things are always far more logical. So I’m wondering…is the society repressing this idea of love that everyone truly wants? Or is it western society and our ideas of love influencing the plots of Bollywood? Or are the movies representing a shift in Indian society’s view of marriage and love? I have to say, it’s probably a bit of all three. As I’ve learned, people pay to see a reflection of themselves; they want to connect with what they read, hear, or see. And, so I’d say Indians really MUST believe in love. But just can’t show it.
Other random things to note about the movie:
1. I understood pretty much the whole thing…which is a pretty good feat considering it’s not in English (but does have some English phrases like “Who’s your daddy?” and “I’m saying I’m pregnant” for times when I guess saying the equivalent in Hindi just doesn’t have the same effect).
2. There was a LOT of cat-calling when a pretty girl would appear on screen. The only reason I note this is because in Shillong, I have NEVER felt disrespected as a woman, nor have I seen any public leering of other women. I wonder what it is about being in a theater that suddenly makes the men feel comfortable doing it…
3. I wonder how much Maybeline paid for their sponsorship of the movie. They were noted in the opening credits, and one scene was a big makeover scene using all their products, with nice long shots of each.